|
|
|
Chapter 8
|
|
|
Animation
|
The creation of animated cartoons; the photographing of a series of
drawings, each of which shows a stage of movement that differs slightly
from the previous one, so that the figures in them appear to move when
projected in rapid succession. |
|
Aperture
|
Opening.
|
|
Bitumen
|
Asphalt.
|
|
Camera obscura
|
An early camera consisting of a large dark chamber with a lens opening,
through which an image is projected onto the opposite surface in its
natural colors. |
|
Candid
|
In photography, unposed, informal.
|
|
Cinematography
|
The photographic art of creating motion pictures.
|
|
Close-up
|
In cinematography or video, a shot made from very close range, providing intimate detail.
|
|
Color negative film
|
Color film from which negatives are made.
|
|
Color reversal film
|
Color film from which color prints (positives) are made directly (without the intervening step of creating negatives).
|
|
Computer art
|
The production of images by artists with the assistance of the
computer. Artists can use the computer to create art for its own sake
or as a design tool, as in architecture and graphic design. |
|
Computer-assisted design (CAD)
|
The use of the computer to assist artists and designers working in
other media, such as architecture. For example, CAD permits interior
designers and architects to view their designs from various vantage
points and to see how the modification of one element affects the
entire design. |
|
Contact print
|
A photographic print that is made by placing the negative in contact
with another sheet of photosensitive paper and exposing them both to
light so that the second sheet of paper acquires the image. |
|
Daguerreotype
|
A photograph made from a silver-coated copper plate. Named after the innovator of the method, Louis Daguerre.
|
|
Digital art
|
Art forms that make use of or are developed with the assistance of
electronic instruments such as computers that store and manipulate
information through the use of series of zeroes and ones (digits);
including but not limited to Web design, graphic design, and digital
photography. |
|
Digital photography
|
Photography that stores visual information electronically rather than by means of film.
|
|
Dissolve
|
In cinematography and video, a fading technique in which the current
scene grows dimmer as the subsequent scene grows brighter. |
|
Editing
|
In cinematography and video, rearranging a film or video record to
provide a more coherent or interesting narrative or presentation of the
images. |
|
Emulsion
|
A suspension of a salt of silver in gelatin or collodion that is used to coat film and photographic plates.
|
|
Fading
|
In cinematography and video, the gradual dimming or brightening of a scene, used as a transition between scenes.
|
|
Film
|
A thin sheet of cellulose material that is coated with a photosensitive substance.
|
|
Flashback
|
In cinematography and video, interruption of the story line with the portrayal of an earlier event.
|
|
Flashforward
|
In cinematography and video, interruption of the story line with the portrayal of a future event.
|
|
Heliography
|
A photographic process in which bitumen is placed on a pewter plate to
create a photosensitive surface which is exposed to the sun. From the
Greek helios, meaning sun.
|
|
Holography
|
A lensless photography method in which laser light produces
three-dimensional images by splitting into two beams and recording the
original subject and its reflection in a mirror. |
|
Lavender oil
|
An aromatic oil derived from plants of the mint family.
|
|
Lens
|
A transparent substance with at least one curved surface that causes
the convergence or divergence of light rays passing through. In the eye
and the camera, lenses are used to focus images onto photosensitive
surfaces. |
|
Longshot
|
In cinematography and video, a shot made from a great distance, providing an overview of a scene.
|
|
Montage
|
In cinematography or video, the use of flashing, whirling, or abruptly
alternating images to convey connected ideas, suggest the passage of
time, or provide an emotional effect. |
|
Narrative editing
|
In cinematography or video, selection from multiple images of the same subject to advance a story.
|
|
Negative
|
In photography, an exposed and developed film or plate on which values
are the reverse of what they are in the actual scene and in the print,
or positive.
|
|
Ocher
|
A dark yellow color derived from an earthy clay.
|
|
Pan
|
To move a motion picture or video camera from side to aide to capture a comprehensive or continuous view of a subject.
|
|
Panorama
|
An unlimited view in all directions.
|
|
Parallel editing
|
In cinematography or video, shifting back and forth from one event or story line to another.
|
|
Photography
|
The creation of images by exposure of a photosensitive surface to light.
|
|
Photosensitive
|
Descriptive of a surface that is sensitive to light and therefore capable of recording images.
|
|
Print
|
In printmaking, a picture or design made by pressing or hitting a
surface with a plate, block, etc. In photography, a photograph,
especially one made from a negative. |
|
Resolution
|
In video and digital photography, the sharpness of a picture, as
determined by the number of lines composing the picture. |
|
Shutter
|
In photography, a device for opening and closing the aperture of a lens so that the film is exposed to light.
|
|
Slow motion
|
A cinematographic process in which action is made to appear fluid but
slower that actual motion by shooting a greater-than-usual number of
frames per second and then projecting the film at the usual number of
frames per second. |
|
Sound track
|
An area on the side of a strip of motion picture film that carries a
record of the sound accompanying the visual information. |
|
Stereoscopy
|
Creating the illusion of three dimensions by simultaneously viewing two
photographs of a scene that are taken from slightly different angles,
as the scene would be seen by two eyes. |
|
Stop
|
In photography, the aperture of a lens, which is typically adjustable; the f-number.
|
|
Telephoto lens
|
A lens that is curved so that it produces large images of distant objects.
|
|
Video
|
A catch-all term for several arts that use the video screen or monitor,
including, but not limited to, commercial and public television, video
art, and computer graphics. |
|
Video art
|
Use of the video screen in works of art. The term refers to images
shown on these monitors and to the use of video screens or monitors in
assemblages. |
|
Wide-angle lens
|
A lens that covers a wider angle of view than an ordinary lens.
|
|
Zoogyroscope
|
An early motion picture projector.
|
|
Zoom
|
To use a zoom lens, which can be adjusted to provide long shots or close-ups while keeping the image in focus.
|