|
|
|
Chapter 14
|
|
|
Altar
|
A raised platform or stand used for sacred ceremonial or ritual purposes in a place of worship.
|
|
Alternate a-b-a-b support system
|
An architectural support system in which every other nave wall support
sends up a supporting rib that crosses the vault as a transverse arch. |
|
Alternate support system
|
An architectural support system in which alternating structural
elements bear the weight of the walls and the load of the ceiling. |
|
Ambulatory
|
In a church: A continuation of the side aisles of a Latin Cross plan
into a passageway that extends back behind the choir and apse and
allows traffic to flow to the chapels, which are often place in this
area. From the Latin ambulare, meaning to walk.
|
|
Annunciation
|
The angel Gabriel's announcement to Mary that she was going to give birth to Jesus.
|
|
Apocalypse
|
The ultimate triumph of good over evil foretold in Judeo-Christian writings.
|
|
Apse
|
A semicircular or polygonal projection of a building with a semicircular dome, especially on the east end of a church.
|
|
Architecture
|
The art and science of designing aesthetic buildings, bridges, and
other structures to help people meet their personal and communal needs.
|
|
Archivolts
|
In architecture, concentric moldings that repeat the shape of an arch.
|
|
Atrium
|
A hall or entrance court.
|
|
Barrel vault
|
A roofed-over space or tunnel that is constructed by placing arches behind one another.
|
|
Buttress
|
To support or prop up construction with a projecting structure, usually
built of brick or stone; a massive masonry structure on the exterior
wall of a building whose function is to press inward and upward in
order to hold the stone blocks of arches in place. Flying buttresses
connect the exterior buttresses with the vaults of the nave arcade. |
|
Byzantine
|
A style associated with Eastern Europe that arose after the year 300
ce, when the emperor Constantine moved the capital of his empire from
Rome to Byzantium (he renamed the capital Constantinople; present-day
Istanbul). The style was concurrent with the Early Christian style in
Western Europe. |
|
Carolingian
|
Referring to Charlemagne or his period. Charlemagne was Emperor of the Holy Roman Empire from 800 to 814 ce.
|
|
Catacomb
|
A vault or gallery in an underground burial place.
|
|
Central plan
|
A plan for a church or a chapel with a primary central space surrounded
by symmetrical areas around each side. Contrast with longitudinal plan.
|
|
Clerestory
|
In a Latin Cross plan, the area above the triforium in the elevation of
the nave, which contains windows to provide direct lighting for the
nave. |
|
Compound pier
|
In the Gothic style, a complexly shaped vertical support, to which a
number of colonnettes (thin half-columns) are often attached. |
|
Crossing square
|
In architecture, the area that defines the right-angle intersection of
the vaults of the nave and the transept of the church. |
|
Diagonal rib
|
In architecture, a rib that connects the opposite corners of a groin vault.
|
|
Eastern Orthodox
|
The Christian church dominant in Eastern Europe, Western Asia, and North Africa.
|
|
Flying buttress
|
A structure that connects a buttress on the exterior of a building with the interior vault that it supports.
|
|
Gothic
|
A style of Western European art and architecture developed between the
twelfth and sixteenth centuries ce. An architecture, characterized by
ribbed vaults, pointed arches, flying buttresses, and high, steep
roofs. |
|
Iconography
|
In a work of art, the conventional meanings attached to the images used
by the artist; as an artistic approach, representing or illustrating by
using the visual conventions and symbols of a culture. |
|
Illumination
|
Illustration and decoration of a manuscript with pictures or designs.
|
|
International Gothic style
|
A refined style of painting in late fourteenth-century and early
fifteenth-century Europe that was characterized by splendid processions
and courtly scenes, ornate embellishment, and attention to detail. |
|
Jamb
|
In architecture, the side post of a doorway, window frame, fireplace, etc.
|
|
Lintel
|
In architecture, a horizontal member supported by posts.
|
|
Longitudinal plan
|
A church plan in which the nave is longer than the transept, and in which parts are symmetrical against an axis.
|
|
Lunette
|
A crescent-shaped space. A French word meaning little moon.
|
|
Manuscript illumination
|
Illustration or decoration of books and letters with pictures or designs.
|
|
Middle Ages
|
The thousand years that span ce 400 to 1400, from the end of Roman
Classical art to the rebirth of Classical traditions in the
Renaissance. Although this period is sometime referred to as the Dark
Ages, it was actually a time of important contributions to economics,
science, and the arts. |
|
Mosaic
|
A medium in which the ground is wet plaster on an architectural
element, such as a wall, and the vehicle consists of small pieces of
colored tile, stone, or glass (tesserae) that are assembled to create an image.
|
|
Mural quality
|
From the Latin muralis, meaning of a wall, and referring to solidity.
|
|
Narthex
|
A church vestibule that leads to the nave, constructed for use by the
catechumens (individuals preparing to be baptized). |
|
Nave
|
The central aisle of a church constructed for use by the congregation at large.
|
|
Oran
|
A praying figure.
|
|
Orthogonal
|
A line placed at right angles to another line.
|
|
Ottonian
|
Of the period characterized by the consecutive reigns of German kings named Otto, beginning in 936 ce.
|
|
Palatine Chapel
|
A chapel which is part of a palace.
|
|
Pendentive
|
In architecture, a spherical triangle that fills the wall space between the four arches of a groin vault in order to provide a circular base on which a dome may rest.
|
|
Propylaeum
|
In architecture, a gateway building leading to an open court before a
Greek or Roman temple; specifically, such a building on the Acropolis. |
|
Radiating chapel
|
An apse-shaped chapel located beneath the ambulatory of a Latin Cross plan. Several of these generally radiate from the ambulatory.
|
|
Rectangular bay system
|
A church plan in which rectangular bays serve as the basis for the overall design. Contrast with square schematism.
|
|
Rib
|
In Gothic architecture, a structural member that reinforces the stress points of groin vaults.
|
|
Romanesque style
|
A style of European architecture of the eleventh and twelfth centuries
ce that is characterized by thick, massive walls, the Latin Cross plan, the use of a barrel vault in the nave, round arches, and a twin-towered façade.
|
|
Rose window
|
A large circular window in a Gothic church. Rose windows are assembled
in segments that resemble the petals of a flower and are usually
adorned with stained glass and plantlike ornamental work. |
|
Sculpture
|
The art of carving, casting modeling, or assembling materials into
three-dimensional figures of forms; a work of art made in such a
manner. |
|
Square schematism
|
A church plan in which the crossing square serves as the basis for
determining the overall dimensions of the building. Contrast with rectangular bay system.
|
|
Transept
|
The arms of a Latin Cross plan, used by pilgrims and other visitors to
allow access to the area behind the crossing square. |
|
Transverse rib
|
In architecture, a rib that connects the midpoints of a groin vault.
|
|
Tribune gallery
|
In architecture, the space between the nave arcade and the clerestory, which is used for traffic above the side aisles on the second stage of the elevation.
|
|
Triforium
|
In a church, a gallery or arcade in the wall above the arches of the nave, transept, or choir.
|
|
Trumeau
|
In Romanesque and Gothic architecture, a dividing element in the center of a portal below the tympanum, which serves as an area for sculpture.
|
|
Tympanum
|
The semicircular space above the doors to a cathedral.
|
|
Visitation
|
In Roman Catholicism, the visit of the Virgin Mary to Elizabeth; a church feast commemorating the visit.
|