f/1.7~ ~ ~ f/2~ ~ ~ f/2.8~ ~ ~ f/4~ ~ ~ f/5.6~ ~ ~ f/8~ ~ ~ f/11~ ~ ~ f/16
SHALLOW DOF ~~~~lens apertures - smaller number = bigger opening ~~~~DEEP DOF


Assignment Requirements:

1) Shoot A&B for at least three different subjects-One subject should be a portrait
Use Manual Focus- You don't change focus between shots

a) Three different images showing changes in DOF with lens on wide angle zoom.
b) Three different images showing changes in DOF with lens on telephoto zoom.

2) Any other strong images demonstrating strong DOF (deep or shallow)
3) Contact sheets of all these final DOF images.

Controlling Depth of Field

Depth of field is the distance in front of and behind the subject that appears to be in focus. You focus the lens on one part of the image, the lens opening (aperture or f/stop) determines the depth of field. A large opening (f/2) creates shallow DOF with only one point in focus. A small opening (f/16) creates deep DOF with extended focus from near objects to distant object.

In this assignment you will use the aperture to alter the degree that your subject is in apparent focus. You look through your camera with its lens at maximum aperture, the smallest number of your f stops. This gives you the brightest view and facilitates focusing because at its widest aperture your lens has the smallest depth of field. What you see in the viewfinder is what you get.
When you "stop the lens down" or turn it to the smallest aperture, the depth of field is extended in front of and behind the distance where you focused. If your camera has a "depth of field preview" feature you will be able to see this change in the viewfinder. The image will get dimmer but the degree of sharpness will be apparent.
If your camera has a distance and depth of field scale on your lens, you will be able to calculate the depth of field to make sure the subject matter you want in focus is included.

If your camera doesn't have a depth of field preview and scale on the lens, you will have to go on faith that the effect will happen. Remember that the DOF extends in front of and behind the area you see in focus. To include two subjects in focus you need to focus between them.

Assignment requirements:
Shoot a series of photos experimenting with shallow and deep depth of field. You should try a variety of subjects in varying light and at different distances to see what effect changing the aperture does to the image

Remenber that changing the focal length (Zooming the lens) will affect the changes in depth of field.
Try the same subject with both wide angle and telephoto zoom settings.

Subject matter is your choice; Your image should include a subject or subjects that extends over some distance, you can't show depth of field with a flat subject therefore- Have something in the foreground and the background.

Use a tripod, don’t move the camera, don't change focus between images, just aperture and shutter speed.
As you learned in the motion assignment, you have to have the right lighting to accomplish this.
USE MANUAL FOCUS- DO NOT CHANGE THE FOCUS ON YOUR LENS BETWEEN THESE SHOTS!
Do not try this part of the assignment in direct sunlight. With your tripod it can be done in fairly low light. Shallow depth of field is impossible to get in very bright sunlight . Changing the ISO to a higher number canl allow more depth of field- Lower number less- because you can change the aperture (f/stop).

Final Goal
Make a series of photographic groups of the same subject showing changes in depth of field.
These exposure groups should be taken from exactly the same position - they should look the same except for the change in depth of field. Be sure to check your light meter to avoid over and under exposure. Do this with several subjects.

You will make a contact sheet to turn in with the original files in the assignment folder..


Exposure Calculation Wheel for download (pdf file)

Sep 27 , 2010

Photo One Home

 

I have included a depth of field calculator on the site if you want to plug in the numbers and see what should be in focus.